As writers we all know that voice is probably one of the most important ways we can distinguish our work. As you may have gathered from our recent tweets we've been hard at work on a synopsis for LIAR SOCIETY and, um, let's just say it was kind of a struggle.
Our first draft was pretty much a total nightmare. We'd managed to distill Kate's entire story into two single spaced pages, but we'd left out the most important ingredient of the book: our voice. Ok, so theoretically that's an easy fix, right? Just go back over your craptastic, dry as a bone synopsis and add in some voice.
Yeah...not so easy.
Some lines worked, like:
Just as Kate's wondering if Nancy Drew has some kind of 24-hour hotline to rescue girl detectives in distress, her mysterious (and ridiculously sexy) knight in not-so-shining armor, Liam Gilmore, saves the day.
Some...not so much:
She came clean, but Cameron turns everything around on Kate, so she looks about as trustworthy as Lindsay Lohan.
So, how do you guys walk the line on voice? How can you tell when you've crossed it?
For the record, I stand by my LiLo line. Don't tell Laura, but I totally added it back in before sending the final synopsis back to our editor. (Ha! Do you hear that furious clicking noise? It's Laura frantically checking our sent e-mails to see if good old Linds made the cut. Good times.)